Wednesday, June 29, 2022

THE LIES I TELL by Julie Clark

 

MY THOUGHTS

This was one of those books that made me literally go WOW! It was so good that I have to say it's one of my very favorite thrillers this year. I absolutely loved both of the women in this book. The two main characters. Equally.. I was all set to hate Meg but it's impossible after this.

This book is so good you won't want it to end. You will root for the bad guy all the way. Or in this case bad woman, Meg. You will want her to get what she sets out to get. You will fall for her. Also you will root just the same for the other lady. Kat, the one who intends to bring Meg down. Down hard and cold. To make her pay for what happened ten years ago. These two females are a force for sure. A strong force that seek justice in different ways. 

Each of these two have a story. Each is telling their story. Told from Meg and Kat's POV.. Alternating chapters. It also goes back to before several times. Very easy to follow. 

Kat is a very nice hard working young woman who is living with her gambling fiancé. She has worked hard and been through some things that she feels are Megs fault. She's never given up making Meg pay for what happened to her. Kat befriends Meg and starts her ploy to make her pay. To bring her down. She's done a lot of investigating found out some things that Meg has done to people and it's her goal to make Meg pay now.

Meg has been after something too. For almost fifteen years she has been after the man who took away her family home. Put her and her dying mother out on the streets. Took away the home they had and didn't think twice about it. His parting words were so cruel and callous. He is a very cold hearted man. Meg is a very vindictive woman set on making him pay. So what is along the way other's have to pay a price also. It may be for the best. They did bad things and it's time for them to be made to pay. 

QUOTES from book.
"It's a complicated shame to have someone you trust deceive you, the pain of that betrayal compounded by the unraveling of the life you thought you'd have. The removal of their belongings, the empty spaces left behind to remind you for all you never saw." 
"Two women working together are a force to be reckoned with." Yes I love that one immensely. 

This book will grab you from the start and not let go until the very end. The things you won't see coming are so good. The things you think are not what you think. Can you trust anyone who lives to TELL LIES?

Thank you #NetGalley, #JulieClark, #SourceBooksLandmark for this ARC. This is my own true thoughts about this book.

5/5 stars and I would give it even more if I could. Grab it. It's great.

SYNOPSIS

THE INSTANT NEW YORK TIMES BESTSELLER!

AN AMAZON BEST BOOK OF THE MONTH

"A mindbender." —Jessica Knoll

"Riveting...a winner." —Laura Dave

"A knockout." —Mary Kubica

From the New York Times bestselling author of The Last Flight comes a twisted con-woman thriller about two women out for revenge—or is it justice?

Two women. Many aliases.

Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She's a con artist who erases herself to become whoever you need her to be—a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to hear, and by the time she's done, you've likely lost everything.

Kat Roberts has been waiting ten years for the woman who upended her life to return. And now that she has, Kat is determined to be the one to expose her. But as the two women grow closer, Kat's long-held assumptions begin to crumble, leaving Kat to wonder who Meg's true target is.

The Lies I Tell is a twisted domestic thriller that dives deep into the psyches and motivations of two women and their unwavering quest to seek justice for the past and rewrite the future.

Praise for The Last Flight by Julie Clark:

"Thoroughly absorbing...the characters get under your skin." The New York Times

"Highly thrilling." Entertainment Weekly

"You won't be able to put it down." —People.com



SHOWCASE & GIVEAWAY of "DEATH AND THE CONJUROR" by Tom Mead

Death and the Conjuror by Tom Mead Banner

Death and the Conjuror

by Tom Mead

June 27 - July 24, 2022 Virtual Book Tour

Synopsis:

Death and the Conjuror by Tom Mead

A magician-turned-sleuth in pre-war London solves three impossible crimes

In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study, and there seems to be no way that a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician-turned-part-time sleuth Joseph Spector. For who better to make sense of the impossible than one who traffics in illusions?

Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye. As he and the Inspector interview the colorful cast of suspects among the psychiatrist’s patients and household, they uncover no shortage of dark secrets―or motives for murder. When the investigation dovetails into that of an apparently-impossible theft, the detectives consider the possibility that the two transgressions are related. And when a second murder occurs, this time in an impenetrable elevator, they realize that the crime wave will become even more deadly unless they can catch the culprit soon.

A tribute to the classic golden-age whodunnit, when crime fiction was a battle of wits between writer and reader, Death and the Conjuror joins its macabre atmosphere, period detail, and vividly-drawn characters with a meticulously-constructed fair play puzzle. Its baffling plot will enthrall readers of mystery icons such as Agatha Christie and John Dickson Carr, modern masters like Anthony Horowitz and Elly Griffiths, or anyone who appreciates a good mystery.

Praise for Death and the Conjuror:

“This debut, a tribute to John Dickson Carr and other Golden Age masters of the locked-room mystery, will appeal to nostalgia buffs and fans of the classics”

Library Journal, April 2022 (**STARRED REVIEW**, Debut of the Month)

“Set in London, Mead’s stellar debut and series launch, an homage to golden age crime fiction, in particular the works of John Dickson Carr, introduces magician Joseph Spector. […] Mead maintains suspense throughout, creating a creepy atmosphere en route to satisfying reveals. Puzzle mystery fans will eagerly await the sequel.”

Publishers Weekly, April 2022 (**STARRED REVIEW**)

“Mead’s debut novel is a valentine to the locked-room puzzles of John Dickson Carr, to whom it is dedicated […] Mead faithfully replicates all the loving artifice and teasing engagement of golden-age puzzlers in this superior pastiche.”

Kirkus Reviews, April 2022

Book Details:

Genre: Mystery
Published by: Mysterious Press
Publication Date: July 12th 2022
Number of Pages: 254
ISBN: 1613163193 (ISBN13: 9781613163191)
Series: Joseph Spector #1
Book Links: Amazon | Barnes & Noble | Goodreads | The Mysterious Bookshop

Read an excerpt:

Olive already had the phone in her hand. “Two three one, Dollis Hill,” she announced. “Dr. Anselm Rees has been murdered.”

While she provided a few scant details, she looked around the room and noticed something.

“The windows are locked,” she said as she hung up the phone.

“Mm?” Della sounded startled.

“The windows. They’re locked on the inside.” To prove this, she gripped one of the handles and rattled it. It would not move, and the key protruded from the lock.

“So?”

“Then how did the killer get away?”

“What do you mean?”

“He can’t have come out through the hall. I was there the whole time. And not five minutes ago—not five minutes—I can tell you that the doctor was alive and well in this room because I heard him talking on the telephone.”

Della thought about this. “It can’t be locked.” She reached out and tried the handle for herself. But the windows did not budge.

“It’s locked on the inside,” said Olive, “just like the door.”

Della turned and looked at the corpse. He had sunk down in the chair like an unmanned hand puppet.

In the far corner of the room lay the wooden trunk. Olive caught Della’s eye and nodded toward it. Della frowned incredulously. Olive shrugged, as if to say, Where else would he be?

The two women crept across the soft plush carpet toward the trunk. Olive looked at Della and held a finger to her lips. She seized the poker from the fireplace and raised it above her head. Then she gave Della a quick nod.

Della leaned forward and wrenched open the trunk.

Olive let fly a fierce war cry and swung the poker like a tennis racquet. But all she hit was empty air. The two women peered inside the trunk. It was perfectly empty.

Olive led the way to the kitchen—but not before pulling shut the study door behind her, sealing in the late Dr. Rees once again.

They both felt slightly better after a tot of brandy. No less horrified, but more prepared to deal with the practicalities of the situation.

“What I don’t understand,” Della said, “is where the killer could have gone.”

“Nowhere,” said Olive. “There was nowhere for him to go.”

***

Excerpt from Death and the Conjuror by Tom Mead. Copyright 2022 by Tom Mead. Reproduced with permission from Tom Mead. All rights reserved.

 

 

Author Bio:

Tom Mead

Tom Mead is a UK crime fiction author specialising in locked-room mysteries. He is a member of the Crime Writers’ Association, International Thriller Writers, and the Society of Authors. He is a prolific author of short fiction, and recently his story "Heatwave" was included in THE BEST MYSTERY STORIES OF THE YEAR 2021, edited by Lee Child. DEATH AND THE CONJUROR is his first novel.

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Facebook - @tommeadauthor

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Tuesday, June 28, 2022

SHOWCASE & GIVEAWAY for DEAD DROP by James I Etoile

Dead Drop by James L'Etoile Banner

Dead Drop

by James L’Etoile

June 27 - July 22, 2022 Virtual Book Tour

Synopsis:

Dead Drop by James L'Etoile

Hundreds go missing each year making the dangerous crossing over the border. What if you were one of them?

While investigating the deaths of undocumented migrants in the Arizona desert, Detective Nathan Parker finds a connection to the unsolved murder of his partner on a human smuggling run. The new evidence lures Parker over the border in search of the truth, only to trap him in a strange and dangerous land. If he's to survive, Parker must place his life in the hands of the very people he once pursued.

Border violence, border politics, and who is caught in between. The forces behind it might surprise you.

Praise for Dead Drop:

"James L’Etoile's DEAD DROP hooked me from the opening sentences to the very last page. A truly twisted plot, gifted storytelling, and dead-on characterization combine to make this tense, timely, and heart-breaking thriller a truly memorable read. I loved it!”
~ Karen Dionne, author of the #1 international bestseller THE MARSH KING'S DAUGHTER and THE WICKED SISTER

"An incredible story that grabs you by the throat and tosses you across the room. L’Etoile is a gem.”
~ J.T. Ellison, New York Times bestselling author of HER DARK LIES

James L’Etoile is such a talented and terrific storyteller! His real-life experience in the criminal justice system gives his compelling, high-stakes thrillers an authenticity that only a savvy insider can provide. You'll be turning the pages as fast as you can!
~ Hank Phillippi Ryan USA Today Bestselling Author of HER PERFECT LIFE

A suspenseful and utterly gripping novel that doesn’t shy away from the terror of drug cartels and border violence, James L’Etoile’s DEAD DROP is a well-researched, expertly written police procedural with twists that will leave you breathless. This one is not to be missed.
~ Jennifer Hillier, bestselling author of LITTLE SECRETS and THINGS WE DO IN THE DARK

“Borders are blurred, lines are crossed. Nathan Parker navigates an intensely personal case, uncontrolled emotions threatening his good judgement. Brilliant prose, crisp pacing, and well-developed characters make L’Etoile a must-read for every thriller enthusiast. An unforgettable story.”
~ K.J. Howe, international bestselling author of SKYJACK

Book Details:

Genre: Thriller
Published by: Level Best Books
Publication Date: July 19, 2022
Number of Pages: 300
ISBN: 978-1-68512-114-3
Series: The Detective Nathan Parker Series, Book 1
Book Links: Amazon

Read an excerpt:

Chapter 1

With one good score Billie Carson hoped she could begin to repair the damage from her past. But after three hours kicking rocks in the sweltering North Phoenix sun, all Billie had to show for the effort was a bag of beer cans and three Jeep lug nuts. She knew most folks wrote her off as a scavenger, but Billie fancied herself as a treasure-hunter. It was a romantic notion, in her mind—always looking for that one big find. She’d dug up wallets, rings, car parts, and good scrap metal out here. Not the crap you tripped over in the bottom of a desert wash, but leftover copper wire from building sites and steel tire rims left behind on the side of the asphalt. The recycling yards paid you good money for that shit, but money could never really make up for the broken lives she’d left behind. How could you repay the ghosts of men you’d led to their death?

Billie looked at the meager haul in her black garbage bag and calculated she wouldn’t be able to buy a cold beer at Paula’s Roadhouse on the way home, let alone help anyone else. Besides, the Roadhouse made her sit outside on the patio with her beer, on the days she could afford one. Paula told her once she made the regulars uncomfortable and wasn’t welcome inside. The beer was cold out on the patio and she figured she wouldn’t like the company inside anyway.

She knew there were treasures out here among the Saguaro cactus and creosote brush waiting to be discovered. Hell, she found her Maui Jim sunglasses out here, you could barely see the crack in the left lens after you got used to it. If she had the money, she’d buy one of them fancy electronic metal detectors that beeped and chirped when you found the good stuff. Paula would let her inside the Roadhouse then, for sure. Until Billie found her big score, she’d keep her head down and kick some more rocks.

Dry, spindly brush dotted the roadside. Thin branches cracked when you knocked up against them. The broken limbs were sharp and left red welts if you ventured too far off the beaten path. Motorists tossed, or lost, most of the good stuff she found a few feet off the road. Billie couldn’t imagine a world where you lost hard earned jewelry out your window and didn’t bother to stop and go find it. If tourists on their way to Cave Creek, or Sedona, were so well off they didn’t need their stuff--that was fine by her.

Billie spotted a set of tire tracks off the asphalt and her heart began to race. What if she found a broken refrigerator dumped in the brush? She could eat for a month on what she’d pull for scrapping a hulking appliance. She’d figure a way to drag it out of the desert before someone else grabbed it. The wide tracks bent behind a rock outcropping digging three inches into the sandy desert floor. Billie knew the vehicle was laden with treasure if it left tire tracks up to her ankles.

She slipped a dingy blue bandanna from her head and wiped the gritty sweat at the back of her neck. A makeshift canteen, fashioned from a Gatorade bottle and a length of drapery cord hung from Billie’s neck. She unscrewed the plastic cap and poured the last of her water on the bandanna. The soaked cloth cooled her head for the climb to the top of the hardscrabble rock outcropping.

The view from the small rise looked down into a deep, sandy wash where the memory of scant seasonal rainfall from the monsoons faded into chalky dust. Patches of tinder-dry brush lined the edges of the dry bed. The heavens hadn’t seen fit to nourish their shallow roots for months. A moonscape of tumbled rocks, sand, and broken branches, left behind by a distant flash flood, lined the bed. At the center of the sandy basin, the deep ruts ended. A second set of tire tracks painted a story of a stop before backing into the middle of the sand. At the end of the tracks no prize waited for her; no refrigerator, no mattress, not even a crumpled beer can. Whatever it was, Billie figured someone else got here first. She crawled down the rock ledge to the floor of the basin, kicking smaller rocks and watching for rattlesnakes along the way.

Down in the wash, the dry brush was taller than it seemed from the view up on the rise. Thin dried fingers of creosote bush towered over Billie’s five-seven height, and the vegetation screened off access to the dry bed. The brush lay crushed and broken at the edge of the parched earth where the vehicle punched through the barrier. Billie hiked the plowed path, where dry shattered twigs snapped under her boots releasing the acrid resin smell from the creosote bush.

Hidden from the road, Billie knew this was the perfect spot for a quick illegal dump. Yet, there was nothing here. Maybe it was a quickie dump of another sort, she thought, a make-out spot for a couple of hormone-engorged teenagers.

She turned and spotted a bright white patch in the brush at the bottom of the draw. A few steps closer and Billie made out four fifty-five gallon drums partially hidden under a layer of broken creosote branches. She wouldn't have seen them if it weren’t for the blue and white stripes emblazoned on the sides of the containers.

“Well, shit. This don’t get any better.”

Billie swiveled around and tried to catch a glimpse of anyone who might be keeping an eye on the barrels. She knew she wasn’t the smartest woman, but what she did know was people who stashed things in the desert, generally don’t want them found. She also knew you dumped things out here to get rid of them fast.

Billie got on her knees next to one of the barrels, tossed off the layer of broken branches, and the hot metal surface burned her palm. She wrapped her bandanna around her fingers and forced the barrel upright. It was heavy, but she felt the contents shift as the barrel moved. She figured a land developer or machine shop owner needed a place to dump used oil, or chemicals they’d have to pay the county to take off their hands. Billie figured the empty drums would net her ten bucks a piece, easy. She’d dump the oil, or whatever was in the cylinder, back in the dusty wash. Her daddy always poured his motor oil out in the desert and Billie never even saw so much as a sick coyote.

She strained with the locking ring on the lid. It wouldn’t budge. Billie ran a finger across dark marks where tack welds burnt the paint away from the locking ring.

Something good was in this barrel, for sure. Why go through this effort for used motor oil? If it was old pesticide, maybe she could wrangle a reward from one of them cactus-lovin’ environmental places.

Billie grabbed a rock and hammered it against the welds. They chipped away after a few blows, and the bent locking ring fell at her feet. With the blade of a folding knife Billie kept on her belt, she pried under the lid. The lid popped and released a strong odor from within the sealed container. Billie grabbed her bandana and held it over her nose. The stench was unmistakable--decomposing flesh.

She used the tip of her knife blade, lifted the lid, and sent it clattering off the top of the drum. Billie held her forearm against her nose and blocked as much of the unbearable smell as she could. She stood frozen in horror at the sight of a brown-skinned man in the barrel, bloated and pale. The dead man’s slack jaw opened wide in a silent scream, his eyes bulging outward, caught in a last plea for help that never came. Billie saw the man’s fingertips crusted with a yellow powder and an acrid chemical odor wafted up from the drum.

Billie dropped to her knees, felt suddenly dizzy, and her chest tightened. She feared the other barrels trapped the souls of three more people. She’d stumbled across a secret that was important enough to kill four people. Would she be number five?  

Chapter 2

Mustard-yellow dust clung to the windshield and managed to seep in through the vents in Nathan Parker’s Maricopa County Sheriff’s Office SUV. The road to Billie Carson’s place was little more than a set of well-used ruts carved in the desert floor. Three miles of bumps and washed-out potholes soured Parker's disposition with each jolt to the Ford’s stiff suspension. A whisper of anxiety washed through him every time he drove this isolated stretch of north valley road.

He spotted the makeshift memorial on the shoulder and pulled off the road. He waited for the road dust to pass his door before he stepped out. The simple white wooden cross first appeared three years ago and Parker never found out who was responsible—responsible for the memorial or for the murder that took place here.

It wasn’t any murder, but the brutal slaying of his partner, detective Josh McMillan. They’d been assigned to interrupt the flow of undocumented immigrants using the remote strip of washboard road to circumvent the Immigration and Customs Enforcement checkpoints in the valley. Most often, the vans, box trucks, or sedans packed with migrants would spot the Maricopa County Sheriff’s vehicles blocking the road and snap a quick “U” turn. Until one didn’t.

Parker and McMillan blocked opposite ends of the road, four miles apart from one another. McMillan called over the radio letting Parker know he’d spotted a vehicle approaching his position.

“Got one coming my direction. Dark blue panel van riding low. He’s not turning around like the others.”

“Want me to head your way?” Parker responded.

“Nah. A coyote wouldn’t be this stupid. Probably a construction worker heading out to Anthem. I’ll chase him back out.”

Parker heard a click and static over the radio two minutes later.

“Mac? 10-9,” Parker said, asking for McMillan to repeat the message.

Another click in response. The hills and washes in this section of the desert were often the cause of garbled radio traffic.

“Come again, Mac?”

Parker didn’t get a response and pulled his SUV around and headed to McMillan’s location. It was coming up on end-of-shift and Parker wanted to make sure Mac got out on time. Mac’s wife Ellie would be waiting for him at their Lamaze class in Glendale. Don’t make a pregnant woman wait.

Parker tensed when he spotted McMillan’s SUV, door ajar with no sign of the blue van his partner reported.

Parker sped up and slid to a stop next to Mac’s vehicle.

He jumped out, ran around the parked SUV and found McMillan laying in the roadway, a pool of blood around him from multiple stab wounds.

The Medical Examiner later told him his partner died immediately after suffering the stab wounds. Parker knew better. He’d heard the radio clicks.

Regret didn’t come close. If he’d responded faster, if he changed locations with McMillan, if he’d taken a position within visual range… If only.

The killer took McMillan’s body camera and the dash cam in the SUV didn’t record the fatal moment. The slightest profile was caught on screen for a few frames. Blurry and at a distance the killer wore a dark t-shirt and a star tattoo was visible on his left forearm.

The van was found abandoned in a wash five miles away with evidence it carried several people in the cargo area. A coyote killed McMillan to ensure his human cargo made it to their destination. The price of admission to this country paid in blood.

As Parker regarded the memorial, it brought back the regret and anger once more.

One day, he’d make it right.

He pulled back on the road with one more glance at the faded wooden cross in the rear view. McMillan’s death would never be behind him.

Parker focused on the road ahead and the call he’d received from Billie Carson claiming she’d found a body. Billie didn’t frighten easily, yet the fear came through in her voice. Stumbling over a corpse would make anyone a bit skittish.

Billie knew Parker's number by heart. Eighteen months ago, he’d helped Billie avoid a trespassing charge filed by a local landowner. The landowner, as it turned out, ran a meth lab in a run-down trailer parked out in the desert. Since then, Billie called Parker at least once a week and reported stray dogs, people camped in the hills harassing immigrants on their way north from Mexico, or “them damn bikers” who smoked weed at Paula’s. He tolerated Billie’s constant calls because, he knew, in her heart Billie was a good person who got dealt a bad hand. It wasn't her fault that life chased her to this remote location. There was a quality about the woman that intrigued Parker. She never talked about her past and mostly kept to herself. People didn't give her enough credit—whatever she’d been through, Billie was a survivor.

Parker agreed to meet at Billie’s place because it sounded like she’d gotten liquored up–again—and needed some time to sober up. It was walking distance from the roadhouse so Billie wouldn’t get popped for driving under the influence for the third time.

Parker pulled up to Billie’s dented fifteen-foot trailer, and a cloud of dust washed over the relic. Billie sprang up from her perch on a plastic milk crate and ran to Parker's window. The desert dweller was worked up this time, bouncing on the balls of her feet.

“Hurry. I’ll show you where he is,” Billie said as soon as the SUV stopped in front of her trailer.

“Slow down, Billie,” Parker said, lowering the window.

“I’m tellin’ you I saw him with my own eyes.”

“Who?”

“The man! The dead man,” Billie said with a slur.

“You been drinking again, Billie?”

“Damn right I have. After what I found…” Billie grew silent and stared at her trembling hands.

Parker hadn’t seen Billie this agitated and drunk at the same time. Whatever she’d run across in the desert spooked her. Parker let out a sigh, dropped the gearshift into drive, and said, “All right.”

Billie was one of the locals who recognized the landscape by sight, the rock color, and the vegetation. So, it didn’t surprise Parker when Billie told him, “Go north on the 60 and turn east when you see the ridge with the red rock quarry.”

Moments after he made the turn Billie pointed to a wide spot on the shoulder.

“Park here. We gotta walk in from here. It’s down in the wash.”

The outside temperature gauge on the dashboard read 111 degrees, and Parker didn’t relish an afternoon stroll in the desert. “How far?”

“A hundred yards, more or less.”

“Jesus Christ, Billie—you’d better be right about this.”

Parker pulled the county SUV off the road, shoved the gearshift into park and said, “I don’t see a damn thing out here. You sure this is the spot?”

Billie wasn’t there to respond, she’d already bolted from the vehicle, leaving the passenger door ajar so heat poured inside the SUV. Parker got out and tossed on a MCSO ball cap to cut the glare from the sun.

“Over here!” Billie said, pointing to the rock outcropping she climbed earlier. “On the other side.”

Parker closed the passenger door, shoved his balled fists in his pants pockets and joined Billie at the base of the rock. The hardscrabble ledge reflected heat into the wash, and each step down became more uncomfortable.

Billie pointed and Parker saw three barrels on their sides, beneath a thin cover of dried and broken brush. A single barrel stood upright in front of the others. The lid lay in the dirt nearby.

Parker grabbed Billie’s elbow as she started toward the barrels.

“You need to stay here while I check it out.”

“I found them.”

“I know that, Billie. You can’t go messing with what might be evidence—more than you already have.”

She hung her head at the sting of the last comment. “Be careful. There’s some strong chemical smell coming off the open barrel. Damn near made me pass out.”

Parker made his way to the barrels, making sure his path did not trample over the deep wheel ruts in the wash. He saw the crown of a man’s head as he approached.

“Son-of-a-bitch.”

He snagged his cell phone from his pocket and dialed a number from memory. “It’s Parker. Tell the Watch Commander we’ve got another body drop. Looks like four this time. We’re gonna need the full boat—medical examiner, crime scene folks, and a couple of units to secure the scene.” He gave the location and hung up.

Billie crept up next to Parker.

“Another one?”

Parker nodded and let out a sigh. “Yeah. This is the third one in a month.”

“Who—what happened to them?”

“There’s been no identification on them. Best guess is they were illegals coming up from Mexico and got caught up in border violence.”

“Probably one of those damned land pirates. The coyotes these days extort poor people for money to cross over. Wouldn't be the first time them cowards left their cargo for dead. Nobody deserves to be left like that.”

“No, Billie, they don’t. No one deserves what these coyotes bring up from the border.” Billie blinked in response. “You said you caught an odor from that barrel? Something chemical?” Parker asked.

“Made me light-headed. It was a little sweet, but had an oven cleaner smell, ya know?”

“You feeling okay, now?” Parker asked.

“I think what I’m feelin’ now is nerves.”

“As soon as the paramedics show up, I want them to check you over. I don’t know what you got into. I want to make sure you’re all right.”

“Thanks for that. Been a while since anyone cared. But, I’m fine. What I’m feelin’ is more about who done this and why they’d dump them people out here. What if they saw me find them?”

“They were going to be found, Billie. If this is like the others, whoever dropped them here didn't go through too much effort to hide them. They could’ve buried them or taken them deeper off the main road. Tells me there wasn’t a concern about finding the bodies.”

“Then why do this at all? These bastards make a habit of the cut and run, leavin’ people locked in the back of a truck at the first sign of an Immigration patrol gettin’ too close.” Billie said.

“I don’t know what to make of it, Billie. Come on let’s get out of the sun.”

The pair returned to Parker’s SUV and escaped into an air-conditioned refuge.

Parker began making notes. “You still working with the refugee groups helping the illegals once they land on this side of the border?”

Billie shot him a glance. “I forgot I told you about what I been doin’. I got no problem with people tryin’ to work for a better life.”

“I get it, Billie, I do. It’s just—against the law. Some of those groups are a little radical. You gotta be careful, Billie. Not everyone sneaking over the border is a good guy. There’s some violent criminal elements…”

“Like there is up here. A border don’t make it no different. I remember what happened to your partner. The man who done him weren’t looking to come to this country to start over—he was a thug, bent on doin’ evil. Different from families looking for a future.”

“The Coalition doesn’t have the reputation for screening out the bad seeds,” Parker said.

“You think this has to do with the Immigrant Coalition?”

“No. Only wondering if you’re still working with them and if they’ve heard anything about these deaths.”

“These people have nothing. They’ve left everything behind and they’re usually running from drugs, gangs, and poverty. If I can give them a little support—it isn’t too much to ask.”

“Some think groups like the Coalition encourage more people to cross over. Or, they’re responsible for getting a bunch of people to come here and take our jobs.”

“Is that what you think, Nathan? I don’t see lines of people waitin’ to go and work in the fields, or workin’ construction jobs out in the heat. The people who say those things are too lazy to get off their asses and put in a day’s work.”

“Whoa, Billie. I get it. I’m not worried about people coming and taking jobs no one is lining up to do, it’s all the crime and violence that comes with it. You gotta look at it from my side too. Being here means they broke the law. There is a legal way of getting in.”

“Because they’re undocumented, you think it justifies what happened to them?” Billie said, pointing to the barrels.

“No. No, Billie, nothing makes it right. But someone is doing this and it could be a response to what groups like the Coalition represent. The anti-immigrant hardliners.”

Billie fell silent and glanced toward the dumping ground. “These people needed help.”

“It’s not like you have a trust fund to give away to the migrants crossing over,” Parker said.

“I have enough.”

Parker’s thoughts shifted to the dead in the barrels. If they crossed the border illegally, what made them desperate enough to risk everything, only to end up dumped in a dirty desert wash?

***

Excerpt from Dead Drop by James L'Etoile. Copyright 2022 by James L'Etoile. Reproduced with permission from James L'Etoile. All rights reserved.

 

 

Author Bio:

James L'Etoile

James L’Etoile uses his twenty-nine years behind bars as an influence in his novels, short stories, and screenplays. He is a former associate warden in a maximum-security prison, a hostage negotiator, facility captain, and director of California’s state parole system. He is a nationally recognized expert witness on prison and jail operations. He has been nominated for the Silver Falchion for Best Procedural Mystery, and The Bill Crider Award for short fiction. His published novels include: Black Label, At What Cost, Bury the Past, and Little River. Look for Dead Drop in the summer of 2022.

You can find out more at:
www.jamesletoile.com
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BookBub - @crimewriter
Instagram - @authorjamesletoile
Twitter - @jamesletoile
Facebook - @AuthorJamesLetoile

 

 

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Monday, June 27, 2022

Mailbox Monday

 

Mailbox Monday is the gathering place for readers to share the books that came into their house last week.

Warning: Mailbox Monday can lead to envy, toppling TBR piles, and humongous wish lists!!
Mailbox Monday, created by Marcia @ A Girl and Her Books, has a permanent home now at Mailbox Monday.
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Here’s a shout out to the administrators:
Leslie @ Under My Apple Tree 
Serena @ Savvy Verse And Wit
Martha @ Reviews By Martha's Bookshelf 
Velvet @ vvb32reads
************
                THANKS to everyone for keeping Mailbox Monday alive. 
************
1: WHAT WE REMEMBER by Sarah Echavarre
courtesy of Publisher via NetGalley
2: A MOTHER WOULD KNOW by Amber Garza
courtesy of Publisher via NetGalley
3: OFF THE DEEP END by Lucinda Berry
courtesy of Publisher via NetGalley
4: AT SEA by Emma Fedor
courtesy of Publisher via NetGalley
5: SUCH A BEAUTIFUL FAMILY by T. R. Ragan
courtesy of Publisher via NetGalley
6: A BRIGHTER FLAME by Christine Nolfi
courtesy of Publisher via NetGalley
7: THE VILLA by Rachel Hawkins
courtesy of publisher via NetGalley


Thursday, June 23, 2022

UNDER HER CARE by Lucinda Berry

 

MY THOUGHTS

I always enjoy Lucinda Berry books. She has a way of spinning a thriller that keeps you on edge and guessing. I throughly enjoyed this one and yes I did guess a few things but it sure didn't take away from the story at all. There was a couple of things near the end that I wish would have been cleared up, (what happened to a couple of people),  but still it was a great read.

This book is told from two POVs. Casey Walker a therapist who works with autistic children. Genevieve Hill who is a stay at home mom and ex beauty pageant winner. Genevieve is very controlling while Casey is more laid back. One is nice and the other is truly evil. Or at least I think she is pure evil. Both are women and they both have children who have autism. 

Genevieve has two children. A daughter Savannah Hill who has many problems of her own and a son Mason who has autism. Genevieve loves to control everything but she does it in a way that makes her look like a hero. Like she is the greatest person you will ever meet. I didn't like her. At all.

When the mayor's wife is murdered it's Genevieve and her son Mason who find her. The police decide that Mason must have done it because he's such a big boy and he has blood all over him. The lead detective, Layne, gets Casey to help them talk to Mason without his mother being there. So much is uncovered during this. So many things that will make your skin crawl. You will wonder how a person can do such things. Who would want to do these things. That's all I can say as I sure don't want to give anything away. But be prepared to cringe when you read about it. To get very angry.

What lengths will a person go to to cover their bad deeds. Or to make themself look good. Or innocent. This is a story that you won't soon forget. It contains a type of child abuse that I can't believe but I'm sure it has happened. Just why though. What would make a person be so cruel. 

There are many edge of your seat parts to this story. Many things happen that will make you angry. A few tears along the way also. Mostly though you will want to know who and why. Some might surprise you. Some might truly make your skin crawl. 

Thank you #NetGalley, #LucindaBerry, #Thomas&Mercer for this ARC. This is my own true thoughts about this book.

4/5 stars. It lost one because of something that I wanted wrapped up at the end. It is very good and I highly recommend it. SYNOPSIS

From the bestselling author of The Perfect Child comes a shocking thriller about the disturbing complexities of a mother’s love and the deadly consequences of unravelling family secrets.

Synopsis 

On a humid summer day in Alabama, a mayor’s wife turns up brutally murdered under a railroad bridge. Standing next to her body is fourteen-year-old Mason Hill, the autistic son of former Miss USA Genevieve Hill. The locals are quick to level their verdict on young Mason: he did it.

The town detective calls in local autism expert Casey Walker to consult on the case. At first, Casey tries to keep an open mind. But the more time she spends with Genevieve, the more her unease grows, and she suspects that Genevieve is doing more than just protecting her son.

Casey’s misgivings surrounding Genevieve’s story only intensify when she meets Savannah, Genevieve’s nineteen-year-old daughter. Savannah, as it turns out, has some disturbing secrets of her own. But as Casey dives ever deeper into the Hill family dynamic, her search for the truth leads to another shocking murder—one that shatters her understanding of the human condition in ways she never imagined.



Wednesday, June 22, 2022

SHOWCASE of "ARCHITECT OF COURAGE by Victoria Weisfeld

Architect of Courage by Victoria Weisfeld Banner

Architect of Courage

by Victoria Weisfeld

June 20 - July 15, 2022 Virtual Book Tour

Synopsis:

Architect of Courage by Victoria Weisfeld

Ordinary Man, Extraordinary Situation

In June 2011, September was weeks away, and the full dread of the approaching anniversary hadn’t yet settled on New York City’s residents. But from One Police Plaza to the FBI’s grim headquarters in Washington, D.C., the top brass harbor a rumbling in the gut. Each person who works for them down the line shares their unease, from every rookie cop walking the beat to the lowliest surveillance specialist. And Archer Landis is about to get caught up in their fixation.

Landis is not one of his city’s guardians, and a different sort of electricity runs under his skin on this warm Thursday evening. A highly successful Manhattan architect—a man you’d say has his life totally, enviably, in order—Landis works the room at a Midtown reception, shaking hands, being seen, accompanying his cheerful greetings with the convivial clinking of ice in an untouched glass of scotch.

When the noisy crowd becomes sufficiently dense and everyone present can say they’ve seen him, he will slip away. Out on Fifth Avenue, he will grab a cab for the run south to Julia’s Chelsea apartment. It’s a trip that will hurtle him into deadly danger. Everyone and everything he cares about most will be threatened, and he will have to discover whether he has the courage to fight his way clear.

Book Details:

Genre: Crime / Murder Mystery
Published by: Black Opal Books
Publication Date: June 4, 2022
Number of Pages: 350
ISBN: 1953434708 (ISBN13: 978-1953434708)
Book Links: Amazon | Barnes & Noble

Read an excerpt:

Chapter 1

When Manhattan architect Archer Landis let himself into Julia’s apartment, he was surprised to find it dark. He strode down the short entry hall to the living room and felt for the light switch. The heavy draperies were closed, and thick blackness pressed in on him. A trace of her perfume teased the air, along with another smell—elemental, evoking . . . something.

“Julia? I’m here.”

For Landis, this second-floor apartment was a treasure-house, its sangria-colored walls crowded with portraits and huge mirrors with carved, gold-painted frames. Deeply fringed paisley shawls draped chaises upholstered in carmine velvet. It would require all his French curves and a full palette of rose and violet pigments to reproduce the effect.

His glance traveled the room, skipping past something he didn’t want to see, something his brain didn’t at first accept that he had seen, until it reached the farthest corner and unwillingly returned to settle on the room’s one discordant object: Julia sprawled on a chaise, the white lace ruffle of her shirtfront soaked with blood.

For a moment, Landis’s heart stopped. He stood frozen at the edge of the room, yet he saw himself rushing to her, kissing her hands, grabbing her shoulders and shaking her, soothing her, calling her. She didn’t move, and neither did he. He choked before he could create a single word.

Now he identified the strange smell. Blood. Blood that had oozed from a huge wound in her chest. Blood that drenched the crocheted lace of her shirt and darkened the crimson velvet of the chaise. A stray drop, spattering upward, had left a dot on her chin. He took two halting steps toward her.

Shouldn’t he wipe off that spot? Couldn’t he put all the blood back? Couldn’t he press his hands on her ravaged chest and seal life inside? Her dark eyes, wide open and fixed, gazed blankly toward him and told him he could not.

He stepped backward to sag against the wall and slowly collapsed to the floor. His head drooped. He sobbed into the hands that had held her hands, caressed her face. Hands that should be holding her now. When he raised his head, tears blurred the contours of her pale face, the empty black pools of her eyes. All else washed by a tide of red.

He couldn’t bear to think about the terror of her final moments. What was the last thing she did? What did she see? Who did she see? Who? A dark cloud of vengeance rose in him like smoke from a bonfire. He had to call the police, make them come immediately. Set the hounds of the law on the scent of her killer.

Yet.

Yet he shouldn’t—he couldn’t—be found in her apartment. His presence would damage his reputation and ruin Julia’s. The lie he’d told his wife Marjorie about his evening dinner plans rolled like a boulder through his tumbling thoughts. His associates, his team, the people he spent every day with, considered Julia a colleague, and they’d never trust him again. He wasn’t on easy terms with betrayal—not enough practice. Nor was he clever with lies and excuses. He couldn’t conjure up a plausible reason for being in her apartment when he was so clearly supposed to be elsewhere.

He had to leave, to escape the awful sight of Julia’s body, the awful reality of it. What did I touch? He scanned the room. At one time or another, he’d touched furniture, switches, faucets, dishes, glassware, books, and more. He’d have to explain those fingerprints, eventually.

Evidence of this visit, though, could disappear. If only he’d never come tonight; if only he’d never made this awful discovery. He pulled out a handkerchief and wiped his presence away, scrubbing around the light switch. His back was to her, his eyes were squeezed shut, and still he saw Julia’s broken body.

With a final look at the face he loved, Landis promised her she wouldn’t be alone and in the dark for long and retreated down the hall. He wrapped his hand in the handkerchief, quietly opened the apartment door, wiped the outside knob, and hurried downstairs to the lobby.

He hadn’t seen any of her neighbors when he came in, would one of them be there now and see him leave? He ran his hand through his long and distinctive white hair, straightened the collar of his suit, and paused to compose his face. No, the lobby was clear. He exhaled.

He’d walk east to Eighth Avenue to hail an uptown cab. A few cars were parked on the opposite side of the street, and he didn’t see any pedestrians. Except there. Up ahead, across the street, an elderly woman turned the corner, heading his way, led by yappy wirehaired terrier. Tall as he was, Landis was hard to miss. The dog looked straight at him, barking furiously.

“Toby!” the woman admonished in her brittle voice. Her arm strained forward with the pull of the leash. Her attention was on the dog, and Landis still hoped he could slip away.

“Toby!” she screamed. “Come back!” Dragging his leash, Toby darted between parked cars. An SUV hissed toward them from the next corner.

Landis stepped into the street and waved both arms. The SUV squealed to a stop. He scooped Toby up and handed him to his quivering mistress. “No harm done.”

She hugged the rambunctious terrier, a little plastic bag of poop flapping in her hand. “Toby, you naughty boy. You mustn’t run from Mama like that.”

Landis edged away, but she wasn’t finished thanking him. She opened her handbag.

Was she fumbling for a tip, for Christ’s sake? No, she pulled out a tissue and wiped her eyes. He put a few feet between them. “Now, Toby, you be good,” and to her, “Are you all right now?”

“We’re fine. You go on. You’ve done your good deed for this evening.”

#

All the way up Eighth Avenue Landis huddled in a corner of the sour-smelling cab, breathing hard. The swarthy driver stared at him in the rearview mirror. Under the man’s suspicious gaze, he returned his phone to his pocket instead of calling 911.

The sticky breath of the early June night blew in through the cab’s half-open window. This ride felt completely different from the one he’d taken—what? forty minutes before?—when he’d slipped out of the Plaza Hotel, past the line of malodorous horse-drawn carriages waiting for tourists, and toward the honking melee of Fifth Avenue. There, he hailed a bright yellow cab and climbed inside, full of thoughts of Julia. A buzzing energy had him drumming the leather seats, willing the traffic lights ahead to turn green.

Off the rails, heading straight into the abyss.

Before that earlier ride, Landis believed himself securely moving forward, on track and at speed, in full control of his considerable professional talents and personal powers. He’d worked the room at the Plaza, a reception for his peers, the city’s most talented magicians in glass and steel and stone.

They sought him out, and he laughed with them, shook hands and patted backs, accompanying his good cheer with the convivial clink of ice in a glass of single malt. He bear-hugged the evening’s honoree, Phil Prinz. He brushed off praise and bestowed it on others. Accomplishment haloed him, and because he was generous in his success, it did not breed resentment, but drew the light to him.

He made sure everyone would remember greeting him, touching him. When the noisy crowd became sufficiently dense, he’d made his discreet escape. Now his reentry into that world had to be just as smooth.

#

The dinner was under way when he arrived, and he had to find his seat, leaving no time to place the call right then. He’d missed the salad.

“What’s wrong, Arch? Where’ve you been?” a colleague asked. “You look awful.”

Landis adjusted the knot of his tie. “Touch of a bug. Killed my appetite.” He cringed at how easily the lie came. It was what he’d planned to say if anyone asked why he didn’t appear at dinner. At least now they wouldn’t question it if he jumped up later and went out for a few minutes. He’d call the police from a hotel phone, not his cell. Much better. He’d do it between the main course and dessert.

The men at the table commiserated. “It’s going around,” one said. “Three of my people are out.”

As his tablemates ate and shared shoptalk, Landis frowned at his plate. Who would kill Julia? What possible reason could there be? Nothing in her world explained it. Her working life was his office, and her social life was him. He was confident of that, of her. Was it a random, senseless, act? Or did some secret peril lurk close by? If so, it could be as close as his own skin.

When the servers came to clear, the food on his plate was rearranged but uneaten. The evening’s introductions and accolades began. The words of the welcoming speeches jumbled meaninglessly. He rested his head on his hand and mapped out what he’d say to the police. Dial 911, give the address, disconnect. Don’t answer questions. Don’t give them time to ask anything. How long does it take to trace a call? He’d stay on the phone for seconds. Only the facts, no context. Hang up.

Here came dessert. He’d lost another chance to make his call. The server set a collapsing strawberry pavlova in front of him. Frothy white meringue shell, a lake of red juice. Landis’s stomach turned over. He pushed the dish away and took a great gulp from his water glass.

Now he was stuck. It would be too awkward to step out during the commendations, especially since Landis’s long-time friend and fellow Yale alumnus, Phil Prinz, was receiving the main prize—the 2011 Calder Award for Integrity in Architectural Practice. Called to the lectern, Phil’s first words were to ask the award’s previous recipients to stand. Landis wobbled to his feet, waved—my God, did I just smile? His other hand gripped the rim of the table so tightly he could hardly pry his fingers loose.

Prinz’s high-minded theme was courage: physical, mental, emotional, and moral. He might have been speaking directly to Landis, chiding him.

Physical courage, Prinz said, is the kind people think of most often, the kind that lets us ski black diamond runs, compete in marathons, and drive the Jersey Turnpike. A misstep can end with a trip to the emergency department, but any physical damage is visible, treatable, and often heals completely.

Not when a hole has been blown through your chest. Landis fingered the stem of his water glass.

Mental courage—being brave enough to rally your mental faculties, make critical decisions, and not be paralyzed into inaction—demands more, Prinz said, citing race car drivers and soldiers in battle. Landis saw himself in Julia’s apartment, stunned, panicked, choking on tears. Direct hit.

“Emotional courage is when you put your inner self, your core being, in harm’s way, when you risk sustaining wounds people may never see and that may never heal, when you face truths you’d rather ignore. It’s when you risk the very essence of yourself.”

Of course Landis had initial reservations about an affair with one of his employees; of course he’d worried his wife Marjorie might discover it. But he’d left those concerns behind. Instead, he’d followed the single shiny track that appeared in front of him: he fell in love. Unexpected, unlikely, unwise. Julia had opened his heart, revealed to him his true self.

Finally, Prinz said, there’s moral courage—when you stick your neck out for some cause not your own simply because it’s the right thing to do.

The white noise inside Landis’s head drowned out the rest. Although the speech wasn’t especially profound, it earned a standing ovation that precipitated a rush for the doors. Clamoring colleagues swarmed the lobby. A discreet telephone call was impossible.

Moment after moment, he put off calling the police until not calling became inevitable. He simply could not speak the words that would make Julia’s death real, that would pierce his chest like arrows. His life had a hole in the middle of it, and he felt its razor edges. Unless he grabbed onto something, he would fall through. What he clutched tight was his shameful secret.

Chapter 2

Landis’s penthouse with its dramatic window walls was an aerie of straight lines and right angles. The sparsely furnished interior was gray and white—his wife’s taste a stark contrast to Julia’s. Only the MirĂł hanging on a far wall provided a restrained confetti of color. He was too drained to appreciate the apartment’s muted comforts, however; wherever he looked, he saw the red blur of Julia’s apartment.

His son lay in wait. At age 28, Hawkins Landis was bent on living in comfort while he launched his own architectural career at his own leisurely pace. After spending a couple of years knocking around Europe’s capitals, he’d returned to the States in March, three long months ago. He manipulated his father into hiring him and took up residence in his old room. Tonight, Landis was hardly in the door when Hawk resumed an argument from earlier that evening.

“While you were at Phil’s dinner, I thought more about my situation, and all I can say is you don’t get it, Dad. No matter what I do at Landis + Porter, people will knock me down. They’ll say I’m nothing without your help. It doesn’t matter how good I am.”

“That’s baloney, and you know it.” Landis desperately wanted not to have this conversation. Not tonight. His head was pounding. “The projects will speak for themselves. Eventually.”

“I’m not designing real buildings. I’m doing scut work. The other associates have real projects.”

Hawk’s whining tone hit the sensitized spot in Landis’s brain like a dentist’s drill. “For Christ’s sake, you’re starting out. My lead people—Ty, Charleston, Julia”—he caught his breath—“have been with me for years. Always up for any assignment. Pay your dues, Hawk.” His throat tightened; he needed air. He reached up to loosen his tie.

“Not Julia. She’s new.” When Landis didn’t answer, Hawk said, “You think they’re so perfect. Well, they’re not. They get special treatment. I’ve seen it. You’re not giving me a chance.”

Landis glared. “I’m confused. You say people will criticize you because they’ll think I gave you unfair advantages, and now you’re asking for one?” With a grunt, he pulled off the tie and flung it on the sofa.

“That’s so like you. You make everything my fault. I’m not important to you.”

“Now, hold on—” His voice logjammed with jostling emotions, but Hawk cut him off.

“I need to be where I have friends.”

Marjorie walked into the living room. A long knit skirt and tunic in some pale color draped her thin frame. “What’s going on? Archer? What did you say to him?” She walked to Hawk’s side and put her arm around their son’s waist. “What’s happening here?”

Landis waited for Hawk to explain himself, knowing his own version of the argument would make matters worse. Hawk jerked away from her and left the room. At the end of the hall, the bathroom door slammed. Landis winced.

Throat aching, he said, “Don’t ask me.”

“Is he unhappy? At work?”

“He wants bigger projects, but he’s a neophyte.”

“Well, of course he’s ambitious, he’s your son.” It didn’t sound like a compliment.

“But he doesn’t want people to think he’s had any special breaks. He gets the same treatment all the associates do.” All except Julia, exceptional Julia.

“But he’s your son. That should be special.”

“Marjorie, think about it. That would be the worst thing for him.” He put his hand to his forehead. “To tell you the truth, I wish he’d move out. When is he ever in a good mood?”

“How can you say that? I like having him here. We talk. We have good conversations. The minute you come home, an argument starts.”

“His constant hostility is my fault?”

“Anyway, he can’t afford a decent place. This is where he belongs. I’d worry about him if he weren’t here.”

“That was a long time ago, Marjorie. He’s had a lot of help since then.” Since his teenage rebellion. His suicide attempts. His acting out. Landis had never taken any of that as seriously as she had.

“He’s right, you know—you shouldn’t treat the others better than you do him.”

“What others? What the hell—”

“Hawk says they’re out to get him, that they’re nothing but back-stabbing sycophants.” Her voice rose, betraying her anxiety the way it did every time she had to defend Hawk.

“That’s not true, Marjorie. They’ve been nothing but helpful to him. They’ve never said a word—not one hint of criticism.”

“They’re not stupid. There’s more than one way for them—and you—to undermine a young person with talent and chip away at his confidence.”

“I don’t know what he’s told you, but neither of you knows what you’re talking about.”

“Hawk knows, and that’s why he’s threatening to leave you.”

“That’s what he meant by being somewhere he has friends? He would leave Landis + Porter?”

“That’s right,” said Hawk, strolling back into the room. “Starting Monday, I’ll be working at BLK. Ivan Karsch made me a very generous offer.”

“Oh.” Marjorie slumped to the sofa, stunned.

“BLK?” Landis snorted. “According to reputation, they eat their young. And Ivan Karsch, who sued L + P a couple years ago? Great role model.” He stood behind Marjorie and grabbed the back of the sofa. “So this is decided? And tonight’s the first I hear about it?”

***

Excerpt from Architect of Courage by Victoria Weisfeld. Copyright 2022 by Victoria Weisfeld. Reproduced with permission from Victoria Weisfeld. All rights reserved.

 

 

Author Bio:

Victoria Weisfeld

Vicki Weisfeld’s short stories have appeared in Ellery Queen Mystery Magazine, Mystery Magazine, Sherlock Holmes MM, and Black Cat MM, among others, as well as in a number of highly competitive crime anthologies, including: Busted: Arresting Stories from the Beat, Seascapes: Best New England Crime Stories, Passport to Murder (Bouchercon), The Best Laid Plans, Quoth the Raven, and Sherlock Holmes in the Realms of Edgar Allan Poe. Her stories have won awards from the Short Mystery Fiction Society and the Public Safety Writers Association. She’s a member of Sisters in Crime, Mystery Writers of America, and other crime fiction organizations. For the past decade, she’s blogged several times a week at www.vweisfeld.com. She is a frequent book reviewer for the UK website, crimefictionlover.com.

Catch Up With Victoria:
www.VWeisfeld.com
Goodreads
Twitter - @vsk8s
Facebook

 

 

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Visit these other great hosts on this tour for more great reviews, interviews, guest posts, and giveaways!

 

 

 

 

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James by Percival Everett

  My thoughts First, the narrator was wonderful. I was sucked into this story. It was a bit slow at first but it was worth it. What this wor...